Recording Studio

Apogee is one of the leading Audio interface manufacturers in America and thought-out recording studios in las vegas. They have been around for over 30 years. Known to offer the most innovative, high-quality audio interfaces. They also provide various audio production software, converters, microphones, and more. They have received numerous awards for their top-of-the-line products with various record braking music tracks. So without any further ado, let us dive in and discover the true legacy behind Apogee electronics. The Legacy of Apogee The co-founders of this company were Betty Bennett, Bruce Jackson, and Christof Heidelberger. The company was founded in 1985 when the digital audio industry underwent a massive change. The co-founders were frustrated with the digital audio scene and thought it deserved a complete overhaul to ensure better quality in recording studios in las vegas. And that was their true vision for the company.  The filter that won a TEC award Even though digital music has been around the block for quite a few decades. It needed a bit of warmth and soul that analog recordings had. Even though digital recording was being adopted more and more due to how easy it was to use, the quality could never match analog recording. But that changed when Apogee debuted with their 944 Series lowpass filter. The filter fits into various Sony PCM3324 24-track digital machine channels.   Even after all the production time and research into the 944 series lowpass filter, it was not an instant hit in the market. However, a big thing to note is that the filter won a TEC award. That filter spread the name of Apogee in the music mixing industry and recording studios in vegas like a storm. They quickly found fame with their state-of-the-art interfacing technology.   After six years of funding, Apogee finally made their first Standalone converters named the DA-1000 and the AD-500. Despite not having popularity with their first filter seriously, the converters gained tons of attraction and built a pathway to success that today's Apogee has.In 1997, Apogee released its Innovation Audio Interface to the public, which was also [...]

The whole point of being inside a Las Vegas recording studio was to deliver a high-quality performance. And that's Precisely what the SSL Solid-State mixing board was designed to do. The story started back in the mid-1900s, when Colin Sanders, the establisher of Solid-State Logic, first manufactured a switching system for various pipe organs. And in 1977, SSL has finally become a full console company with the brand-new SL 4000 B. The market for mixing boards was saturated at the time. And for SSL to make it into the top of the food chain was too big of an ask. But to everyone's surprise, SSL came up with there new line up with the SL 4000 E series in 1979. And it far exceeded the expectations in the high-end Music recording studios scene during the time. And from produces, sound engineers to even the artists slowly leaned on to the SSL 4000 E series for its ability to provide unmatched sonics, added punch, and a sweet spot for mixing technology. The SSL mixing board aided the engineer to focus more on the musicians to deliver a quality performance than relying on the technology that keeps getting in the way. The sonics you get from the four-band equalizer along with the extremely precise high- low pass filters, the bar of mixing boards reached a whole new height. Back in the days, one of the fundamental problems with various consoles was the wrong frequencies—this is where Colin Sanders made his mark. He had chosen the most precise and perfect frequencies. He understood the Las Vegas recording studio process down to its smallest details. And the SSL solid-state mixing board showcase that with an impressive outcome. The reasons behind the love SSL mixing board gained. The Overwhelming love SSL got because it had an all in one strip. It also offers supreme flexibility of reordering the strip with little to no hassle. Not designed for EQ and the dynamics in the channel strip. The design of the SSL mixing board offered the ability to change the whole order. Top recording studio Engineers could [...]

If you are a fan of electronic music, you must have heard about the great Ableton Live. It's one of the easiest software to make quality music recording studios that offers extreme flexibility from the get-go. This versatile tool for making music was not what we use today. Over the years, the digital audio workstation has gone through massive updates. The history behind Ableton Live is the reason behind its impact in the music industry. The story started back in 2001. This berlin-based company has come up with a new digital audio workstation that left everyone in awe. The software was an audio sequencer that allowed performers to store music samples. With Ableton Live, you can later trigger the music live and build your own songs in front of a Las Vegas audience. The engineering of this software was revolutionary. It opened the door for any ordinary person to make music with just their computer. It also allowed the user to use the music without knowing much about building pre-defined software of their own. Due to this flexibility and functionality, the Ableton Live was loved by music recording studios and heavily adopted by the music industry. The adoption of the Ableton Live was very rapid. The music producer then got a chance to perform live on stage with a hassle-free. But the real history of Ableton Live goes back even before the first release of the software in 2001. The co-founders of the company Gerhard Behles and Robert Henke was intrigued by the idea they came up with back in the late 1990s. Back in those days, they were relatively busy doing live shows of their own, featuring dub and techno music. They had no intention of making software for the mass music industry. All they were looking for was to build something for their own personal issue regarding live electronic music performance. They sought help from their buddy back in Berlin's Technical University. Their mutual friend studied computer programming and had a firm grasp on music understanding. Together with their friend and some fellow programmers, they joined as a [...]

If a Recording studio Las Vegas artist or inspiring musician has any hopes of having their songs played on the radio, they'll need to have their rough mix Mastered very well. The best way to do this is to hire the Best Recording Engineers in Las Vegas. Professional Recording Studio mastering engineers can make a decent audio mix sound great, and the right mix Sound completely amazing. There are many differences. Things that mastering engineers can do. They will work with the artist Recording Studio Las Vegas to decide what order The Best Sound   the songs appear on the CD and also equalize the volume of the different instruments in each Song and across the CD. They can also help to add more definition and Clarity to the instruments in a song. Then, they will adjust the introductions and ends of the songs, choosing the length of time between the songs and adding crossfades or other nice Effects if the Las Vegas recording Studio needs to. The order in which the songs on a CD appear can significantly affect the way the CD progresses When it's played. If similar-sounding songs are placed side by side on a CD, it can lead listeners into thinking the artist has a very Limited range. It's ultimately up to the CD mastering engineer to work with the Best Recording Engineers in Las Vegas Artist and choose the order of songs on the CD. It's imperative that the instruments in a song and the songs on the CD be at an appropriate Volume level. Within a song, the different elements need to be mixed appropriately in order To make the song sound balanced sonically. The engineer can also give clarity and definition to the different instruments in a Song. The engineer will also have the task of assuring that the volume levels across all of the songs are the same, to help the CD sound clean and more cohesive while still leaving Room for dynamics. BIG Sound on the CD The mastering engineer will also determine how much time there should be between the [...]